America’s Catholic Movie Club columnist looks at this year’s crop of contenders.

Bradley Cooper's new Leonard Bernstein biopic, "Maestro," offers a portrait of a soul that struggled to determine which direction it wanted to take in the world of classical music.

Should a Catholic Church ever be a movie set? From our most iconic movies to some regrettable music videos, it's a question that has been asked many times and answered in different ways.

Five decades ago, 'The Exorcist' proved to be a box office juggernaut—and caused America's editors to devote a special issue to the film.

“Killers of the Flower Moon” makes a case that 80 is the new 30: Martin Scorsese, the most prominent of American auteurs and champion of film history, continues as an octogenarian to explore and expand the possibilities of the medium and scour his own soul.

In Anne Hathaway’s Kym, we see the hard truth about forgiveness: sometimes we have the most difficulty forgiving ourselves or seeking forgiveness from those who love us most.