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Voices
John Anderson is a television critic for The Wall Street Journal and a contributor to The New York Times.
Flannery O’Connor and her peacocks (photo: Joe McTyre)
Arts & CultureFilm
John Anderson
“Flannery” is an apologia for O’Connor but, like any good defense, it takes the position that she doesn’t need one.
Mark Rylance, far left, played Thomas Cromwell in the BBC production of “Wolf Hall” (2015). Paul Scofield, near left, won an Oscar for his portrayal of St. Thomas More in “A Man for All Seasons” (1966). (photo credit - Masterpiece/Alamy)
Arts & CultureBooks
John Anderson
Mantel’s portrait of More is of a self-serving whiner with a death wish. But what must always be remembered is that she is creating fiction.
Arts & CultureTelevision
John Anderson
One of the basics of comedy is the element of surprise, and Hannah Gadsby’s “Nanette” surprised us by not being comedy.
Nazario Gerardi plays Francis in “The Little Flowers of St. Francis” (The Criterion Collection)
Arts & CultureFilm
John Anderson
Encountering Roberto Rossellini’s “The Flowers of St. Francis,” which turns 70 this year, will be an odd experience for most first-timers.
Photo: Netflix
Arts & CultureTelevision
John Anderson
When someone refers to a “foul” system, he is not talking only about law enforcement and prosecution.
Photo: CBN Films
Arts & CultureFilm
John Anderson
Patrick deserves better than green beer and leprechauns, and he gets it in a new documentary.
Bartosz Bielenia in Boze Cialo (“Corpus Christi”) (IMDB)
Arts & CultureFilm
John Anderson
“Corpus Christi” is not a critique of Catholicism, though; it may not even be a deliberately Catholic film, writes film critic John Anderson.
Some recent best picture winners, clockwise from top left: “Crash,” “12 Years a Slave,” “Greenbook” and “Spotlight” (photo: CNS/Fox Searchlight/IMDB)
Arts & CultureFilm
John Anderson
The morality of the Academy Awards may be suspect. But there is a conscience at work.
Jude Law and John Malkovich in “The New Pope” (photo: HBO)
Arts & CultureFilm
John Anderson
A TV review is not, perhaps, the forum to determine that, but it should be noted that God is ever present.
’The Cave’ is a portrait of courage under fire, resilience and hope (photo: National Geographic).
Arts & CultureFilm
John Anderson
“The Cave” is something of a talking-dog movie: You’re astounded it exists, never mind what it has to say.